75.036(73) COO
Cooper, H., Godfrey, M., Greene A., Nesin, K. (2020). Philip Guston now.
Washington : National Gallery of Art
The first American retrospective of artist Philip Guston's (1913-1980) career in over 15 years. Scholarly essays trace the influences, interests, and evolution of this singular force in modern and contemporary art--including a close look at the 1960s and 1970s, when Guston abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever .
75.036 GEO
Georg Baselitz : drinkers & orange eaters. (2015).
New York, NY : Skarstedt
Published on the occasion of the exhibition Georg Baselitz: Drinkers and Orange Eaters, this book is a full catalogue raisonné of the two series, which date from 1981-1982. The catalogue includes full plate images of the 27 paintings that comprise this body of work, as well as select detail images. Accompanying the reproductions is the essay “Oranges and Apples” by Katy Siegel, historical studio images, and a complete annotated catalogue of all works. In the Drinkers and Orange Eaters, Baselitz reacts to the work of his German Expressionist predecessors — Ernst Ludwig Kirchner and Emil Nolde, among others—paying homage to his artistic forefathers while simultaneously establishing distance from them. Championed as a leading exponent of German Neo-Expressionist painting, Baselitz displays a newfound freedom from ideological pressures with these works. Baselitz explains, “The '80s helped me to rearrange everything; I was able to set up a whole range of ideas and experiences anew, which meant I was able to break everything down so I could make something out of it again.” These two series are regarded as some of Baselitz’s most expressive and vividly colorful works, emphasizing the physicality of paint and gestural brushstrokes. Baselitz said of this series, “I was boxing with both hands, so to speak,” using form, style and color to shatter traditional assumptions. The Drinkers and Orange Eaters represent a critical time in history and an evolving ideology of liberation.
7.041.5 הרצ
הרצל בפרופיל : דיוקן הרצל באמנות השימושית. (1979).
תל אביב : מוזיאון תל אביב.
(569.4)7.044 המו
המוזיאון הפתוח תפן - מלחמת תש"ח באמנות. (1992).
מגדל תפן : המוזיאון הפתוח - גני התעשיה תפן.
(569.4)766:659.133.1 קרא
פרנץ קראוס : כרזות. גרפיקה שימושית בארץ ישראל. (1981). תל-אביב : מוזיאון תל-אביב